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From the chilling to the audacious, here are five body horror movies you may have missed
Plot
A fading celebrity takes a black-market drug: a cell-replicating substance that temporarily creates a younger, better version of herself.. There's nothing scarier than being human, and these films fully explore the inhuman ways our bodies can betray us. Ray Liotta was cast in the film in February 2022, but he died in May that year before he could film his scenes. Dennis Quaid replaced him, but Liotta is still mentioned in the director's "Thank You Notes" during the credits..
Featured in The 7PM Project: Episode dated 20 September 2024 (2024)
The toilet mirror reappears intact after being repeatedly smashed during the fight sequence.. Elisabeth Sparkle: There’s been a slight misuse of the Substance.. A special thanks in the credits is given to the many extras in the theater scene, who got covered in blood.. Pump It UpWritten by Michael Hall, Leonardo StellaPerformed by Earl GregoryProduced by Julien Deguines.
In 2017, Coralie Fargeat's directorial debut 'Revenge' was released
A subversive tale of vengeance, like 'Kill Bill' mixed with 'Wolf Creek,' it was greeted with overwhelming praise, going on to make just under a million dollars at the box office. A strikingly shot picture overflowing with thematic weight, it showed Fargeat as a filmmaker unafraid to push boundaries and challenge conventions; a visionary with bold ideas.A notion compounded by her second feature 'The Substance'. A satirical body-horror, it centres on Elisabeth Sparkle, a fading Hollywood starlet. After her 50th birthday, she is fired from her job as host of an aerobics show; her producer reasoning she is past her prime.
It contains much thematic depth, perhaps most obviously about fame, objectification and the ridiculous beauty standards faced by females in Hollywood
Circumstances introduce Sparkle to a new wonder drug, creating a younger, more beautiful and perfect version of herself- if she follows the instructions, that is.'The Substance' is a wild film, most easily described as being like 'All About Eve,' or 'Sunset Boulevard,' if directed by David Cronenberg. Fargeat's screenplay delves into the perils of a society obsessed with youth and perfection, showcasing the lengths to which individuals are willing to go to, to maintain their relevance and desirability.It is a sad truth that, traditionally, opportunities for actresses dry up after they reach a certain age. Famously, in the early 1960's, Bette Davis was having such a hard time finding work that she placed an advertisement in The Hollywood Reporter, offering her services. In it, she stated that she possessed "thirty years' experience as an actress in motion pictures" and was "mobile still and more affable than rumour would have it." With her narrative, Fargeat cuttingly satirises the Hollywood machine, as well as the fickleness of fame.Furthermore, as Sparkle becomes increasingly consumed by the drug and its effects, the film explores the duality of identity and the internal conflict between one's true self and the facade presented to the world, echoing Oscar Wilde's 'The Picture of Dorian Gray' and Robert Louis Stevenson's 'Dr.
Jekyll and Mr
Hyde'. Moreover, the grotesque transformations therein serve as a metaphor for the internal and external pressures faced by women in the entertainment industry. Other notions, such as addiction, control and obsession, are also examined; interwoven cleverly into the narrative and explored with tongue firmly in cheek.It is a visually arresting film, with Fargeat's signature style evident in every frame. Alongside director of photography Benjamin Kracun, her use of vibrant, contrasting colours creates a surreal world for Sparkle to navigate; like some kind of 1980's hellscape.
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